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发信人: bartonchen (闲云野鹤.等到那一天), 信区: Flyingoverseas
标  题: 我的申请总结2:导师情况（zz）
发信站: 哈工大紫丁香 (2002年04月20日21:15:14 星期六), 站内信件

发信人: jdm (jdm), 信区: AdvancedEdu
标  题: 我的申请总结2:导师情况
发信站: BBS 水木清华站 (Sat Apr 20 18:44:54 2002)

1.Harvard
http://www.fas.harvard.edu/~rsea/
Eugene Yuejin Wang
Assistant Professor of History of Art and Architecture
Chinese art, especially the spatial integration of different media (painting
, sculpture, and architecture) and sites as locus and cues for image-making
and visual perceptions.
作为形象制作和视觉感受的线索和轨迹的不同体现媒介的空间上的综合
2.Stanford
http://www.stanford.edu/dept/CEAS/
Richard Vinograd文以诚
Associate Professor, Chair, Art Department
Research: Chinese landscape painting, Chinese portraiture, Contemporary Chin
ese Art.
Courses: Chinese Art and Culture; Art in China's Modern Era; Picturing Histo
ry in China; Later Chinese Painting; Seminar in Sung Dynasty Painting; Semin
ar in Pictorial Art and Cultural Spaces in Late Ming China
3. Michigan
Martin Powers
Professor of History of Art, 1987:
Director of the Center for Chinese Studies (2000-present)
Specializes in Han and Song art and social history and art theory, 汉代和宋代
的艺术，社会史和艺术理论
poetry, and painting in China中国的诗歌和绘画
E-mail: mpow@umich.edu
4. UCR 艺术史系
Zhong Kui, woodblock print from Yangliuqing, Qianlong period (1736-1795)
Ginger Cheng-chi Hsü      ginger.hsu@ucr.edu     Gingerhsu@aol.com
Ph.D. University of California, Berkeley
Ginger Hsü is a historian of later Chinese art and culture后期中国艺术史与文
化史家. She publishes primarily in the area of Chinese painting中国画. Some
of her publications are: "Anhui Merchant Culture and Patronage安徽商人文化和
赞助人" in James Cahill (ed.), Shadows of Mt. Huang (1981); Merchant Patrona
ge of the Eighteen Century18世纪的赞助人 Yangchow Painting (1989); Zheng Xie
's Price List: Paintings as a Source of Income in Yangzhou扬州作为收入来源的
绘画 (1991); The Drunken Demon Queller (1996); and the Incarnations of the B
lossoming Plum (1996).
Phone: (909) 787-4627; Office Phone: (909) 787-4632
5.UIUC 艺术史系
Anne Burkus-Chasson
Assistant Professor
received her Ph.D. from the University of California at Berkeley. A speciali
st in Chinese art, she has focused her research on painting and woodblock-pr
inted books from the seventeenth century. Her writings have appeared in Art
Bulletin, Art History, and various exhibition catalogues. In 1995, she was a
warded the Arthur Kingsley Porter Prize by the College Art Association for "
Elegant or Common? Chen Hongshou's Birthday Presentation Pictures and His Pr
ofessional Status" featured in Art Bulletin.
6. MSU
Anning Jing，Assistant Professor
Asian Art
Ph.D. Princeton University
I have several research areas in Chinese art. Water God's Temple: Ritual and
Theatrical Performance 水神庙：仪式与剧院表演is a completed book manuscript
for a study of a folk temple of the fourteenth century 14世纪民众寺庙在中国
艺术宗教和思想上的重要性and its significance in Chinese art, religion, and t
hought. My next book, now nearing completion, is The Yongle Palace永乐殿. It
is a study of the development of the Daoist Pantheon from tenth to fourteen
th centuries10到14世纪道教万神殿的发展. "Daoism and Landscape in Chinese Art
"道家与中国山水画is my most recent project. It focuses on Daoist aesthetics
and its expression in Chinese art.道家美学及其在中国美术中的表达
7. USC
Lan-Ying Tseng
Assistant Professor, Department of Art History
Ph.D., History of Art and Architecture, Harvard University, 2000
Teaching and research: Art history and intellectual history of China美术史和
中国文人史;
art history of Asia 亚洲艺术史
Publications include: "Picturing Heaven: Image and Knowledge in Han China 汉
朝(206 B.C.-A.D.220)", "Workshops, Repertories and Regional Sub-traditions:
Traces of the Han Carved Tomb at Anqiuin Shandong"山东安丘的汉代雕刻墓, "Myt
h, History and Memory: The Modern Cult of the Simuwu Bronze Vessel"司母勿大方
鼎青铜器的现代礼拜(Harvard University): joint appointment with Department of
Art History;
specialties include visual culture in early China早期中国的视觉文化, Confuci
an and Taoist thought儒家和道家思想, gender and the body as represented in a
rt表现在在艺术中的性别和躯体, and visual perception and historical memory视觉
感知和历史记忆.
8. Wisconsin-Madison
Julia K. Murray, Professor
B.A., 1974, Yale; M.A., 1977, Princeton University; Ph.D., 1981, Princeton U
niversity.
Dissertation: Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls.
On faculty since 1989. Previously worked in curatorial positions at the Harv
ard University Art Museums, Freer Gallery of Art, and Metropolitan Museum of
Art. Books: Ma Hezhi and the Illustration of the Book of Odes, Last of the
Mandarins, Stone Sculptures in the Abby Aldrich Rockefeller Garden, A Decade
of Discovery.
Articles in (journals) The Art Bulletin, Archives of Asian Art, Artibus Asia
e, Ars Orientalis, Arts Asiatiques, Journal of Asian Studies, Journal of Sun
g-Yuan Studies, Early China, Chinese Science, National Palace Museum Bulleti
n, Orientations, Arts of Asia; (books) Latter Days of the Law: Chinese Buddh
ist Pictorial Art中国佛教图示美术, 850-1850, Flowering in the Shadows: Women
in the History of Chinese and Japanese Painting中国日本绘画史上的妇女, Arti
sts and Patrons: Some Social and Economic Aspects of Chinese Painting艺术家和
赞助人：一些中国画上的社会的和经济的方面, The Dictionary of Art艺术词典, etc
. Currently writing a book on pictorial illustration as a medium for asserti
ng Confucian morality. 作为断言儒家道德的媒介的图示解说
Regular course offerings in Chinese art (especially painting), East Asian ar
t, and inter-area seminars (methodology, narrative representation, pictorial
biography).
9. Northwestern
Sarah E. Fraser (Ph.D. UC Berkeley)    s-fraser2@northwestern.edu
teaches courses in Chinese and Japanese art with an emphasis on Chinese pain
ting.
Fraser's forthcoming book, Performing the Visual: Making Wall Paintings in C
hina and Central Asia, 618-960 中国和中亚在唐五代时的壁画制作(Stanford Unive
rsity Press), addresses the status of sketching and issues of cognition and
creativity in painting workshops绘画作坊中认识和创造力的大体状况和问题. Her
articles and essays include contributions to Artibus Asiae, Orientations, L'
art de Dunhuang à la Bibliothèque nationale de France (ècole fran?aise d'
Extrême-Orient, 1999), and Images in Exchange: Cultural Transactions in Chi
nese Pictorial Arts 中国图示美术的文化交易(University of California Press).
In 1999-2000 she was a Getty Post-Doctoral Fellow and Directrice d'etudes at
the ecole Pratique des Hautes etudes in Paris.
Fraser also directs two international research projects指导西北大学的两个有关
佛教艺术的国际研究课题 on Buddhist art at Northwestern. Under the auspices o
f the Andrew Mellon Foundation, she contributes to a 3-D image archive of wa
ll paintings壁画 and transitive archaeological material from western China中
国西部变化的考古学材料. Additionally, with Luce Foundation support, she over
sees a three-year project entitled "Merit, Opulence, and the Buddhist Networ
k of Wealth优点，富足和佛教网的财富," concerning Buddhist material culture.佛
教物质文化 Essays from the conference on this topic hosted with Peking Unive
rsity in Beijing, June 2001, are forthcoming from Shanghai Fine Arts Publish
ers.
10.Arizona State 艺术学院艺术史专业
Claudia Brown (1998)       claudia.brown@asu.edu
Assistant Professor of Art,
B.A., M.A., Ph.D., University of Kansas: Asian art.
Affiliated faculty in Center for Asian Studies and Program for Southeast Asi
an Studies.  Special interest in later Chinese painting后期中国绘画和装饰美术
and decorative arts, museums and exhibitions. Research Curator of Asian Art
, Phoenix Art Museum.  Co-author of Transcending Turmoil: Painting at the Cl
ose of China's Empire, 1796-1911, 1993.
Office: GHALL 149, Phone: (480) 965-2409,
11. Ohio State
Julia F. Andrews
    History of Art
JULIA ANDREWS, Professor
e-mail: andrews.2@osu.edu
Professor Andrews is the Associate Director of the East Asian Studies Center
. She is a specialist in Chinese painting and modern Chinese art中国画和现代
中国美术. Her first book, Painters and Politics in the People's Republic of
China中华人民共和国的画家和政治 (1994), won the Joseph Levenson Prize of the
Association for Asian Studies for the best book of the year on modern China
. More recently, she served as co-curator and catalogue author (with OSU alu
mnus Kuiyi Shen) of the Guggenheim Museum's 1998 exhibition A Century in Cri
sis : Modernity and Tradition in the Art of Twentieth Century China, which w
as shown in New York and Bilbao. She has recently contributed to several exh
ibition catalogues and anthologies, including Between the Thunder and the Ra
in: Chinese Paintings from the Opium Wars to the Cultural Revolution鸦片战争
到文化大革命的中国画, 1840-1979 (Asian Art Museum of San Francisco) and Word
and Meaning: Six Contemporary Chinese Artists 六位中国当代画家(Buffalo: Sta
te University of New York at Buffalo, Research Center in Art + Culture, 2000
). She teaches undergraduate courses on Chinese and Japanese art and topical
ly organized graduate seminars that usually focus on Chinese painting or mod
ern Chinese art.
Her graduate students have written theses on topics in Chinese or Japanese a
rt of the seventeenth through the twentieth centuries.17到20世纪的中国和日本
艺术
12. Maryland
Professor Jason Kuo      jk103@umail.umd.edu
Chinese Art
Art History & Archaeology
Professor Jason Kuo, an authority on Chinese art, is the author of Wang Y黙n
-ch'i's Art of Landscape Painting; Trapping Heaven and Earth in the Cage of
Form; Innovation within Tradition; The Painting of Huang Pin-hung; The Auste
re Landscape: The Paintings of Hung-jen; Word as Image: The Art of Chinese S
eal Engraving; Chen Chikwan; Heirs to a Great Tradition: Modern Chinese Pain
tings from the Tsien-hsiang-chai Collection, and Rethinking Art History and
Art Criticism.
His articles have appeared in numerous journals, including Art Journal, Asia
n Culture Quarterly, Chinese Studies, Art in America, Orientations, China Qu
arterly, Journal of Asian Studies, Journal of Asian and African Studies, and
Ars Orientalis. He has received an Andrew W. Mellon Foundation Fellowship,
a grant from the National Endowment for the Humanities, two Stoddard Fellows
hips in Asian Art at the Detroit Institute of Arts, two fellowships from the
J.D. Rockefeller III Fund and many other scholastic honors. In 1991-1992, h
e received the Lilly Fellowship for teaching excellence. In 1992-1993 he org
anized and directed a National Endowment for the Humanities Summer Institute
for College Teachers of the History of Chinese Art. From 1993 to 1998, he u
ndertook the study of the nineteenth- and twentieth-century art of Shanghai,
a research project, funded by the Henry Luce Foundation, combining the work
of six scholars from China and six from the United States. Two books are in
press: Art and Identity in Postwar Taiwan and Modern Chinese Poster-Calenda
rs.
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         ……锦瑟……

锦瑟无端五十弦，一弦一柱思华年�
庄生晓梦迷蝴蝶，望帝春心托杜鹃
沧海月明珠有泪，蓝田日暖玉生烟
此情可待成追忆，只是当时已惘然

--
荣辱不惊，闲看庭前花开花落。
去留无意，漫随天边云卷云舒。
宠时：笑看长空云卷云舒；辱时：闲观庭前花开花落。
顺花开花落的自然，随云卷云舒的常理，
人生可能并无意义，人生的意义可能就在于存在本身。
在这个缺憾的世界中，就有缺憾的人生。不裹足于失败，不痛苦于失去 ...

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